Creative portfolio

Past work

Body Count - is a solo performance that excavates the fragile, often invisible experience of male vulnerability: a confrontation with the body as a site of contradiction, where tenderness and violence, silence and scream, are held in the same breath.

BODY COUNT

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WalkYourChair - created with performers from Australia, Colombia, Estonia, and Latvia — transforms spaces of public transit into live encounters through presence, movement, and participation, using the chair as a deceptively simple but powerful intervention.

Walkyourchair

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Pall On Elu - Taking loose inspiration from the Vedantic concept of existence, for which the border between the real and the illusionary playfully bounces, eluding our perception, BALL IS LIFE delves into the apparent impossibility of establishing a certain identity in a rapidly changing environment without taking existence by the balls.

Pall on elu

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INFERNO is a devised work by Gintarė Šmigelskytė (Lithuania) and Edward Skaines (Australia), deconstructing the final encounter of Medea and Jason through questions of identity, narcissism, and gender — drawing on translations from Jean Anouilh, Edward Philip Coleridge, and Euripides.

Fusing physical theatre, absurdism, surrealism, Brechtian device, and multimedia, the work dismantles the mythological surface to expose what lies beneath: the architecture of coercive control, the distortion of self under narcissistic love, and the way power consolidates itself inside intimate relationships. NFERNO refuses the myth as tragedy and instead asks what we have always misread — who is the victim, and who wrote the story.

INFERNO

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Residencies

Nuclear War - The Grotowski Institue (Wroclaw, Poland)

In this performance, inspired by Simon Stephens poem "Nuclear War," we examine a day in the life and state of mind of a woman who has come to terms with the loss of her beloved.

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Threads of Touch Residency (Puglia, Italy)

Resistenze e Metabolizzazioni is a four-week artistic residency in Melpignano, a small town in the Salento region of southern Italy, bringing together twenty-three performance makers, researchers, and local collaborators from across Europe. It is the fourth iteration of a practice that began in 2021, and the first to operate within a fully articulated research framework.

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INFERNO is a devised work by Gintarė Šmigelskytė (Lithuania) and Edward Skaines (Australia), deconstructing the final encounter of Medea and Jason through questions of identity, narcissism, and gender — drawing on translations from Jean Anouilh, Edward Philip Coleridge, and Euripides.

Fusing physical theatre, absurdism, surrealism, Brechtian device, and multimedia, the work dismantles the mythological surface to expose what lies beneath: the architecture of coercive control, the distortion of self under narcissistic love, and the way power consolidates itself inside intimate relationships. NFERNO refuses the myth as tragedy and instead asks what we have always misread — who is the victim, and who wrote the story.

INFERNO - Teatr ZAR (Wroclaw, Poland)

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The Cleaning the House Workshop was developed by Abramovic during her years of teaching. Since the 1980s, she developed and led numerous Cleaning the House workshops for her students at Hochschule fur Bildende Kunst in Hamburg, Ecole des Beaux Arts in Paris, and later when she was a professor for Performance Art at the Hochschule fur Bildende Kunst in Braunschweig, where she taught for seven years.

Marina Abramovic Residency

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Valga Architecture Residency (Valga, Estonia)

Valga/Valka: Space × Architecture × Performance, beginning on 29 April 2026 at VARES, the Valga Architecture Residency, on the Estonian Latvian border. For two weeks, students of the MA in Contemporary Physical Performance Making at the Estonian Academy of Music and Theatre are transforming the streets, public spaces and shared rhythms of Valga into a living site for performance, architecture, choreography and community exchange.

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CONTEMPORARY PHYSICAL PERFORMANCE MAKING (CPPM) MASTERS DEGREE